Role
Adjunct Professor
Education
Laurea Triennale in Lettere Classiche, Università di Bologna
Laurea Specialistica in Archeologia e Culture del Mondo Antico, Università di Bologna
Ph.D. in Art History, University of Southern California

Biography

Dr. Ambra Spinelli is a classical archaeologist and art historian who received a B.A. in Classics and a M.A. in Archaeology from the Università di Bologna, and a Ph.D. in Art History (with a specialization in Classical Art & Archaeology) from the University of Southern California. Herscholarship integrates the analysis of artifacts, architecture, decorative and textual evidence to explore ancient Roman domestic and everyday life. Her interests also encompass the influence of Eastern and Italic rituals on Roman soil, and Roman perceptions and adaptations of earlier traditions. At AUR, she teaches courses in Roman art and archaeology as well as Greek and Roman history and religion.

Professor Spinelli participated in various archaeological excavation projects in Italy and, from 2011 to 2020, she served as Head of Archival Research and Assistant to the Director for the University of Cincinnati’s “Pompeii Archaeological Research Project: Porta Stabia.” She also has several years of museum and archaeological research experience in Etruscan, Roman, and medieval sites, including Marzabotto, Bologna, Pompeii, Herculaneum, Naples, Rome, Acquaviva Picena, and Albinia (Grosseto).

Selected Publications (Peer-Reviewed):

Books:

  • Current Book Project (under contract with De Gruyter):Why Objects Matter: Studies in Greek and Roman Art & Materiality from Antiquity to the Present. Co-author.
  • Artistry in Bronze: The Greeks and Their Legacy. XIXth International Congress on Ancient Bronzes(2017).The J. Paul Getty Museum.Co-author.

Articles and Book Chapters:

  • “Spectacle and Society. Theater and Paintings in Vesuvian Tablina,” inWhy Objects Matter:Studies in Greekand Roman Art & Materiality from Antiquity to the Present.(Current bookproject under contractwith DeGruyter).
  • “The History of Excavation and Research Activity in Insulae VIII.7 and I.1,” inThe PortaStabiaNeighborhood atPompeii. Vol. 1:Structure, Stratigraphy, and Space(2023).Oxford UniversityPress, 42-59.Co-author.
  • “The Ritual Contexts in Insulae VIII.7 and I.1,” inThe Porta Stabia Neighborhood at Pompeii. Vol.1:Structure, Stratigraphy, and Space(2023).Oxford University Press, 429-434. Co-author.
  • “Beyond Social and Functional Interpretations of Wall Paintings: Mythological Imagery in the Tablinum of Pompeii and Herculaneum.”Journal of Roman Archaeology, Vol. 35.1 (Jul. 2022), 177–193.
  • “The ‘Getty Cybele’: A Roman Portrait of Feminine Virtues.”ٌƵ Journal of Archaeology, Vol. 121.3 (Jul. 2017), 369–396.
  • “Underwater Archaeology in Italy: The Park of Baia (Naples),” inSOMA 2007: Proceedings of the XI Symposium on Mediterranean Archaeology, Istanbul Technical University (2007). Oxford Archaeopress, 358–361.

Book Reviews:

  • “Excavating the Archives: The Domus M. Lucretii IX 3, 5.24 at Pompeii.” Review of R. Berg and I. Kuivalainen (eds.),Domus Pompeiana M. Lucretii IX 3, 5.24. The Inscriptions, Works of Art and Finds from the Old and New Excavations(2019), inJournal of Roman Archaeology,Vol. 34.2 (Dec. 2021),883–888.

Catalogue Essays and Entries:

  • “Spinario Castellani” and “Hermes from Saponara,” inPower and Pathos: Bronze Sculpture of the Hellenistic World(2015). The J. Paul Getty Museum, 216, 306; and in the Italian cataloguePotere e Pathos. Bronzi del Mondo Ellenistico(2015). Giunti Editore, 216, 306.
  • “Comic Figurine of a Slave Seated on an Altar” and “Red-Figured BellKraterwithPhlyaxScene,” inThe Art of Ancient Greek Theater(2010). The J. Paul Getty Museum, 119, 142.